Southern California Photography by Alan Pavlik, editor and publisher of Just Above Sunset
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Photos and text, unless otherwise noted, Copyright © 2006 - Alan M. Pavlik

If you use any of these photos for commercial purposes I assume you'll discuss that with me

These were shot with a Nikon D70 - using lens (1) AF-S Nikkor 18-70 mm 1:35-4.5G ED, or (2) AF Nikkor 70-300mm telephoto, or after 5 June 2006, (3) AF-S DX Zoom-Nikkor, 55-200 mm f/4-5.6G ED. They were modified for web posting using Adobe Photoshop 7.0

The original large-format raw files are available upon request.

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Visitors from February 28, 2006, 10:00 am Pacific Time to date -


Wednesday, 5 July 2006
All-American Parade
Topic: Unusual Events

All-American Parade

Some shots from the 2006 Fourth of July parade in Rancho Bernardo, about twenty miles north of San Diego, inland. It was cool. All seventy-four photos will be posted in an album soon. That's geek work. It's in process. (The shots that are political in nature are here, with commentary.)

The 2006 Fourth of July parade in Rancho Bernardo



The 2006 Fourth of July parade in Rancho Bernardo


The 2006 Fourth of July parade in Rancho Bernardo



The 2006 Fourth of July parade in Rancho Bernardo



The 2006 Fourth of July parade in Rancho Bernardo



The 2006 Fourth of July parade in Rancho Bernardo



The 2006 Fourth of July parade in Rancho Bernardo





Posted by Alan at 10:38 PM PDT | Post Comment | Permalink
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Tuesday, 4 July 2006
The Fourth of July
Topic: Light and Shadow

The Fourth of July

Out for the day. Family picnic. A long drive south.

"In the United States there is more space where nobody is than where anybody is. That is what makes America what it is." - Gertrude Stein (1874-1946), The Geographical History of America (1936)

American flag as seen from the Page Museum Atrium at La Brea Tar Pits, Wilshire Boulevard, July 5, 2005


Posted by Alan at 7:52 AM PDT | Post Comment | Permalink
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Monday, 3 July 2006
Conspicuous Consumption
Topic: Oddities

Conspicuous Consumption

Ric Erickson, editor of MetropoleParis, has his automotive shots - the "Fiat 500 of the Week" on the streets of Paris. Things are different out here. Sitting in front of the French sidewalk bistro at Sunset Plaza, a 1992 Vector W8 twinturbo - six hundred twenty-five horsepower, with its Kevlar, carbon-fiber, and fiberglass body - a local product, built down in Wilmington, at the harbor. Hollywood note - a red W8 made a rare appearance in the 1993 movie Rising Sun - Sean Connery and Wesley Snipes and the Japanese and all that. The Vector is a bit over the top - the car's first customer was Andre Agassi. Vector intended to follow the W8 with the Vector WX-3 and Vector WX-3R, but series production never got off the ground. Production of the W8 ended in 1993, when the company was purchased by Megatech, and pretty much disappeared. No more Vectors. More on the car here and the company here. Amusing.

1992 Vector W8 twinturbo on Sunset Boulevard



1992 Vector W8 twinturbo on Sunset Boulevard



A stretch limo pulls in front -

1992 Vector W8 twinturbo on Sunset Boulevard



Across the street, a bit of a contrast -

Not a 1992 Vector W8 twinturbo on Sunset Boulevard



Posted by Alan at 8:13 PM PDT | Post Comment | Permalink
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Sunday, 2 July 2006
Movie Madness
Topic: Landmarks

Movie Madness

Filmstrip USA by Natalie Krol - Veterans Memorial Building, Culver City
They take movies seriously down in Culver City, and just across the street from old MGM studios - home to The Wizard of Oz and An American in Paris and all the rest, but now Sony-Columbia - at the Veterans Memorial Building there's this stainless steel thing in the reflecting pool out front - "Filmstrip USA" by Natalie Krol. It was installed in 1981, the year after they renovated the brutal 1950 building behind it. That's still ugly, but at least it is now neat and clean - anonymous fifties public buildings aren't very interesting.

The sculpture, or whatever this thing is, is amusing. Stainless steel film stock?

But this is, after all, The Heart of Screenland -
Hundreds of movies have been produced on the lots of Culver City's studios, including The Wizard of Oz, The Thin Man, Gone with the Wind, Citizen Kane, Rebecca, the Tarzan series, and the original King Kong. In fact, the Yellow brick road from The Wizard of Oz is still inside the lot on Stage 27 of Sony Studios. More recent films made in Culver City include Grease, Raging Bull, E.T. the Extra-Terrestrial, City Slickers, Air Force One, Wag the Dog and Contact. Television shows made on Culver City sets have included Las Vegas, Mad About You, Lassie, Batman, The Andy Griffith Show and Jeopardy!.

John Travolta's "Stranded at the Drive-In" sequence in Grease was filmed at the Studio Drive-In on the corner of Jefferson and Sepulveda. It served as a set for many other films, including Pee-wee's Big Adventure.

... Culver City's streets may be familiar to many movie-goers. They have been featured in countless films and television shows. Since much of the architecture of the residential areas of the town has not changed in decades, the nostalgic sitcom The Wonder Years set many of its outdoor scenes in the timeless neighborhoods of Culver City. The 1970's show CHiPs also featured many chase scenes through the streets. The Nicholas Cage film Matchstick Men included scenes made at Veterans Memorial Park (which was also featured in the opening scenes of the sitcom Valerie / Valerie's Family / The Hogan Family).

The history of the town is beginning to be recognized. The Aviator, a 2004 film about Howard Hughes, featured several mentions of Culver City in connection with Hughes. The Hughes aircraft plant had a Culver City mailing address but was actually in the adjacent Los Angeles neighborhood of Westchester at a site now called Playa Vista.
So this work makes sense, of course.

Filmstrip USA by Natalie Krol - Veterans Memorial Building, Culver City



Personal Note - lived in Culver City in the early eighties, saw a bad movie or two at that Studio Drive-In with the wife, but it's now gone and there are overpriced little houses where it stood, and at the time worked at Hughes down in Playa Vista, and listened to my father-in-law when he visited from the Pentagon tell tales of being part of the Citizen Kane production way back when (he went to high school with Orson Welles) - very odd -

Veterans Memorial Building, Culver City




Posted by Alan at 8:25 PM PDT | Post Comment | Permalink
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Updated: Sunday, 2 July 2006 8:38 PM PDT
Friday, 30 June 2006
Landmarks: The Forgotten Major Studio
Topic: Historic Hollywood

Landmarks: The Forgotten Major Studio

Culver Studios, 9336 Washington Boulevard, Culver City, California
The forgotten major studio would be Culver Studios, in Culver City, a few miles southwest of Hollywood in the flats.

Okay, almost a hundred years ago, Harry Culver, the founding father of Culver City, decided he had to meet Thomas Ince, the father of the westerns - Culver had seen Ince directing one of his westerns in nearby La Ballona Creek. Culver was building a city after all - he'd moved to California in 1910 and learned the real estate business from I. N. Van Nuys - and wanted this new movie business in his new town. The Articles of Incorporation for Culver City were filed with the California Secretary of State on September 20, 1917, but the place was already booming. Culver convinced Ince to move his studio operations from Florida to Culver City and in 1915 the first Culver City studio was under construction - Ince/Triangle Studios. Ince added a few stages and an administration building but sold out his share in the business to his partners D. W. Griffith and Mack Sennett, and relocated down the street and built what you see here as The Culver Studios. Harry Culver leased the land to him. Of course by 1918 Triangle Studios itself was up for sale - and Samuel Goldwyn bought the place. In 1924, Marcus Loew orchestrated the merger of three motion picture companies - The Metro Pictures Corporation, Goldwyn Studios and Louis B. Mayer Productions to form Metro-Goldwyn-Mayer. Things were a bit turbulent back in the silent movie days. MGM, down the street, is famous of course (photos here and a good history here). That's now Sony-Columbia. It's all very fluid. What used to be MGM gets all the tourists. It's legendary.

The city has more on Culver Studios, which isn't quite as famous, here - it took two years to build the Thomas H. Ince Studio at 9336 Washington Boulevard, with its Mount Vernon mansion - a December 1, 1918 Los Angeles newspaper called it a "motion picture plant that looks like a beautiful Southern estate." The studio was planned by Meyer and Holler of the Milwaukee Building Company, the same firm that created two of the historic theaters on Hollywood Boulevard, the Chinese Theater (1927) and the Egyptian (1922).

And you have to love this detail -
Ince, a visionary in the industry, and actor turned producer, promoted the glamour of moviemaking with a reverence. He entertained the King and Queen of Belgium, and President Woodrow Wilson. The administration building became a well-known landmark, and Ince was rapidly expanding his successful facility. In the early days, the studio fire chief also acted as the city fire chief. But in November of 1924, amidst clouded circumstances, Thomas Harper Ince fell ill on William Randolph Hearst's yacht, and reportedly died of a heart attack at home within the week. His wife Elinor K. Ince, once a talent agent, took the reins until the next year, when it became De Mille Studios.
What a way to go, on the Hearst yacht. Cecil B. De Mille soon made "King of Kings" here - the first movie shown at the Grauman's Chinese Theatre. In 1940, RKO made Citizen Kane here, all about William Randolph Hearst. Very odd.

The studio itself has a website with its own history - Gone With The Wind was shot on Stages 11 and 12 in 1939, and all the exteriors of Tara, Twelve Oaks and the city of Atlanta were created on the back lot and torched for the filming of the burning of Atlanta sequence in the film. But the mansion isn't Tara.

And this -
Going back in time to just after Thomas Ince died, the studio was purchased by Cecil B. DeMille who built monumental sets on the back lot. The most impressive were replicas of the streets of Jerusalem for one of his biggest budgeted features The King of Kings in 1927. These sets were used in many movies over the years. They were seen in King Kong as part of Skull's Island in 1933. These sets towered over the studio for a dozen years until they were burned to the ground for Gone With the Wind in 1939.

RKO acquired the studios in 1928 and Joseph Kennedy served as one of the studio heads. It was during his tenure here that he had his infamous love affair with leading lady Gloria Swanson. Legend has it that Kennedy built her a private dressing room as a gift. Only much later and after the affair ended did Swanson discover Kennedy had used her money to pay for it. The bungalow still stands and is used as an office for writer/producers.
That would be President Kennedy's father, later our ambassador to England. The son had that thing with Marilyn Monroe. Make of it what you will.

RKO controlled the lot for almost thirty years - the days of Bette Davis, Robert Mitchum, Cary Grant, Katherine Hepburn, King Kong, Fred Astaire and Ginger Rogers. So think A Star Is Born (1937), Tom Sawyer (1938), Alfred Hitchcock's Rebecca (1940) and Spellbound (1945). And Citizen Kane was shot on the lot in 1940. Howard Hughes bought the place in the fifties and ran it into the ground. Desilu Productions purchased the lot in 1956 and television became the main business - The Andy Griffith Show, Hogan's Heroes, The Untouchables, The Adventures of Ozzie and Harriet, Lassie and Gomer Pyle - and in 1967 Peyton Place, as well as The Green Hornet, Batman and the pilot for Star Trek. Star Trek became a Paramount franchise and moved down to Melrose Avenue.

In 1968 new owners sold off most of the back lot and by the late seventies the place was pretty much abandoned. In 1977, the studio became Laird International Studios, a rental facility. When Laird filed Chapter 11 in 1986, Grant Tinker (Mary Tyler Moore's producer and husband) and Gannett (USA Today), bought the place and called it GTG Entertainment, then The Culver Studios. In 1991 it became a part of Sony Pictures Entertainment. Sony sold the studio to Pacific Coast Capital Partners (PCCP) Studio City Los Angeles in 2004. Sony had too much television production space.

So that's it, but as the studio's site notes -
Walk through any of the restored buildings and there is a feeling of another era. Over the years, unsubstantiated rumors of studio hauntings have circulated among the studio staff. Stage hands high in the catwalks have reportedly been confronted by a ghostly figure resembling Thomas Ince. It's rumored that late at night a spirit - some say Gloria Swanson - roams the halls of the mansion. While there is no proof of these sightings, eerily similar reports occur year after year.

Many recording artists have utilized the studio's private atmosphere to rehearse (Eagles, Fleetwood Mac, Don Henley, Janet Jackson) and to shoot music videos (Ricky Martin, Madonna, Michael Jackson, Luis Miguel). The Culver Studios is also the birthplace of Baywatch, Mad About You, and The Nanny.
Baywatch? Ouch.

The studio is not open to the public, and no tours are offered.

But there are the stories, like this from the days when Louis B. Mayer's son-in-law, the Pittsburgh-born RKO executive David O. Selznick, ran the place -
They even staged the famous "burning of Atlanta" scene from "Gone With The Wind" here on the back lot of Culver Studios, on December 10, 1938. The city of "Atlanta" was actually made up of various old sets from previous films made on the lot, which David O. Selznick set ablaze to make room for the construction of the exterior of Tara. (The fire consumed old sets from "King Kong," "The Last of the Mohicans" and "Little Lord Fauntleroy.") Yet the key role of Scarlett O'Hara still had not been cast. As Selznick watched from atop an observation tower as the red flames consumed "Atlanta," his brother Myron introduced him to Vivien Leigh, with the words: "I'd like you to meet your Scarlett O'Hara."

Lucille Ball was one of the many actresses who tried out, unsuccessfully, for the part of Scarlett in "Gone With the Wind." She got her revenge later, though, when she bought the studio, turned it into her own Desilu Studios, and took David O. Selznick's office as her own. (Desilu later moved to what is now part of the Paramount lot.)
Amusing.

Culver Studios, 9336 Washington Boulevard, Culver City, California



The working end of things -

Culver Studios, 9336 Washington Boulevard, Culver City, California



Culver Studios, 9336 Washington Boulevard, Culver City, California



Culver Studios, 9336 Washington Boulevard, Culver City, California



Nearby, the new De L'Esprie bronze of Harry Culver, dedicated March 26, 2006 -

Harry Culver



Culver Studios, 9336 Washington Boulevard, Culver City, California




Posted by Alan at 5:39 PM PDT | Post Comment | Permalink
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Updated: Friday, 30 June 2006 5:47 PM PDT

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