Maybe Hitchcock was onto something, although the story was from Daphne Du Maurier and the screenplay by Evan Hunter. These birds, at the Playa del Rey lagoon on 12 December, seem to know something. Think of them as a jury. They may not like us at all.
Street Scenes - Hollywood Boulevard
Topic: Social Commentary
|Street Scenes - Hollywood Boulevard |
Hollywood - a sense of the place -
S. H. Kress Department Store
6608 Hollywood Boulevard
Edward F. Sibbert, architect - 1935
Designed and built as a part of the S. H. Kress retail chain, that didn't work out. In 1947 Frederick Mellinger moved his Frederick’s of Fifth Avenue from New York here. This became the headquarters for Frederick’s of Hollywood - lingerie and such. Mellinger restored the Art Deco architecture, and gave us the first push-up bra, and the first front-snap bra, and all the rest. Frederick’s of Hollywood has since moved to newer digs across the street and a few blocks west. The building is dark now, very dark, and empty. Edward Hopper would like the place now.
This may be emblematic of Hollywood - a detail on the boulevard -
Hollywood Christmas Images
Topic: Insider Stuff
|Hollywood Christmas Images |
So it's almost Christmas. You want Frank Kapra and E. B. White's cute naïf of a pig and peace and love and all that? It's at Hollywood and Highland - what passes for Times Square out here. "It's a Wonderful Life" - or so they say. Christmas is bit commercial out here, as it is everywhere. We just do it up, Hollywood Style.
How about the scientologist Santa at the L. Ron Hubbard Center? Imagine Tom Cruise sitting on his lap. What would Tom ask Santa to bring him?
Maybe Santa will stop here, and celebrate the secular side of Christmas.
Oh, have a gay old time.
Topic: Historic Hollywood
Sometimes the images on Hollywood Boulevard are just disturbing. The glamour turns sinister, or grotesque. Someone added a dab of yellow to the eye of Norma Shearer here, and that changed everything. ("Shearer was extremely beautiful, although care was taken in photographing her because she had a lazy eye.")
Take the famous iconic image of Marilyn Monroe from Billy Wilder's 1955 The Seven Year Itch, and render it in bronze, and make it both hyper-realistic physically, with the muscle definition in the leg and the odd kneecaps and the sagging breasts, and a little "off" as the face is too square and the shoulders too masculine, roll it out in front of the Hollywood Museum in the old Max Factor Building, and you get a bit of unsettling surrealism.
About the statue -
It it titled "The Sculpted Beauty."
On October 26th 2006 the bronze statue of Marilyn Monroe, the work of Domenico Neri, the founder of Neri S.p.A., was inaugurated at the Hollywood Museum of Los Angeles.
The ceremony saw the participation of numerous personalities from the world of culture and the cinema and was a moment of particular intensity and emotion for all who took part. During the ceremony the Municipal Authorities of Los Angeles and Hollywood, as well as the Italian consular representative in Los Angeles, General Diego Brasioli, sent their greetings.
The donation and the organization of the event, in fact, took place as part of a week dedicated to Italian culture, organized in collaboration with the Italian General Consulate with the patronage of the Italian Government and the Region of Emilia Romagna.
The statue, donated to the Museum by Neri S.p.A. and the fruit of long and passionate work by the artist, immortalizes the actress made famous by the film "Seven Year Itch," conserving for ever the diva's unforgettable fascination.
Domenico Neri has for years been dedicating himself to sculpture with increasing commitment, realizing bronze works which have been the subject of various exhibitions and which now constitute the Fondo Permanente di Scultura Domenico Neri, donated in 2003 to the Municipality of Longiano.
The location in Hollywood of his work dedicated to Marilyn Monroe, on the occasion of the eightieth anniversary of the celebrated actress’s birth, constitutes an important recognition of his work as an artist, alongside his achievements as an industrialist and the founder of one of the best established companies in the sector of urban illumination and décor.
And Orson Welles tires to be serious, while staring down at Oscar Levant's star in the sidewalk.