Memories of Hollywood's elegant era flowed along with dancing water Monday night as a huge hillside fountain at the entrance to the Hollywood Bowl was brought back to life after more than three decades of neglect.

The Streamline Moderne-style fountain was built in 1940 by the sculptor best known for creating the Academy Awards' Oscar statue. Standing over the bowl's Highland Avenue entryway, it depicts the muses of music, dance and drama.

The 200-foot long, 22-foot high sculpture was heralded as one of America's most ambitious art projects in 1939 when artists and craftsmen hired by the federal government for the Depression-era WPA Federal Arts Project began constructing it.

But in more recent years, it has been more of a symbol of Hollywood decay.

Stanley was already a well-known Hollywood artist who liked to joke that he became a sculptor by accident.

He had been studying at the Otis Art Institute in 1924 in hopes of becoming a commercial artist when he received a part-time job as a school "monitor" whose chief duty was to keep sculpture department modeling clay wet. That job prompted him to experiment with the clay. Playing around, he discovered he had a knack for molding images.

He went on to win sculpture commissions for wealthy Beverly Hills residents, the classic Isaac Newton statue at Griffith Park and artwork for such places as Hoover High School in Glendale and Long Beach Polytechnic High School. Commercial pieces included bas reliefs over the downtown Los Angeles telephone company headquarters and Bullocks Wilshire department store.

His most widely seen piece was only 13 1/2 inches tall, however.

Stanley was the sculptor who molded the original movie Oscar statue. He used a napkin sketch of a man standing on a reel of film grasping a sword that was drawn in 1927 by studio art director Cedric Gibbons.

But this thing was serious. You've got your tiered fountain with a fifteen-foot kneeling "Muse of Music" on top, and, in their niches on the sides, ten foot tall muses of dance and drama. The thing is concrete covered with slabs of decorative granite quarried locally near Victorville. And the whole thing works as a retaining wall that keeps the steep hillside north of the bowl's entry drive in place. Rios Clementi Hale Studios of Hollywood oversaw the four-month renovation that cost almost two million dollars.

It's a hoot, but Hollywood, which had turned incredibly seedy in the sixties, is booming once again, and discovering its odd history.

Dance -

Ince, a visionary in the industry, and actor turned producer, promoted the glamour of moviemaking with a reverence. He entertained the King and Queen of Belgium, and President Woodrow Wilson. The administration building became a well-known landmark, and Ince was rapidly expanding his successful facility. In the early days, the studio fire chief also acted as the city fire chief. But in November of 1924, amidst clouded circumstances, Thomas Harper Ince fell ill on William Randolph Hearst's yacht, and reportedly died of a heart attack at home within the week. His wife Elinor K. Ince, once a talent agent, took the reins until the next year, when it became De Mille Studios.

Going back in time to just after Thomas Ince died, the studio was purchased by Cecil B. DeMille who built monumental sets on the back lot. The most impressive were replicas of the streets of Jerusalem for one of his biggest budgeted features The King of Kings in 1927. These sets were used in many movies over the years. They were seen in King Kong as part of Skull's Island in 1933. These sets towered over the studio for a dozen years until they were burned to the ground for Gone With the Wind in 1939.

RKO acquired the studios in 1928 and Joseph Kennedy served as one of the studio heads. It was during his tenure here that he had his infamous love affair with leading lady Gloria Swanson. Legend has it that Kennedy built her a private dressing room as a gift. Only much later and after the affair ended did Swanson discover Kennedy had used her money to pay for it. The bungalow still stands and is used as an office for writer/producers.

Walk through any of the restored buildings and there is a feeling of another era. Over the years, unsubstantiated rumors of studio hauntings have circulated among the studio staff. Stage hands high in the catwalks have reportedly been confronted by a ghostly figure resembling Thomas Ince. It's rumored that late at night a spirit - some say Gloria Swanson - roams the halls of the mansion. While there is no proof of these sightings, eerily similar reports occur year after year.

Many recording artists have utilized the studio's private atmosphere to rehearse (Eagles, Fleetwood Mac, Don Henley, Janet Jackson) and to shoot music videos (Ricky Martin, Madonna, Michael Jackson, Luis Miguel). The Culver Studios is also the birthplace of Baywatch, Mad About You, and The Nanny.

They even staged the famous "burning of Atlanta" scene from "Gone With The Wind" here on the back lot of Culver Studios, on December 10, 1938. The city of "Atlanta" was actually made up of various old sets from previous films made on the lot, which David O. Selznick set ablaze to make room for the construction of the exterior of Tara. (The fire consumed old sets from "King Kong," "The Last of the Mohicans" and "Little Lord Fauntleroy.") Yet the key role of Scarlett O'Hara still had not been cast. As Selznick watched from atop an observation tower as the red flames consumed "Atlanta," his brother Myron introduced him to Vivien Leigh, with the words: "I'd like you to meet your Scarlett O'Hara."

Lucille Ball was one of the many actresses who tried out, unsuccessfully, for the part of Scarlett in "Gone With the Wind." She got her revenge later, though, when she bought the studio, turned it into her own Desilu Studios, and took David O. Selznick's office as her own. (Desilu later moved to what is now part of the Paramount lot.)

The working end of things -

Nearby, the new De L'Esprie bronze of Harry Culver, dedicated March 26, 2006 -